Most writers submit one complete manuscript to a publisher and cross their fingers while waiting for the publisher to finish reading it and hope that the publisher would like it. Well, here's a news flash publishers do not like reading manuscripts. Yes, you read it right. Publishers receive tons of manuscripts from aspiring writers all the time and they don't want to waste valuable time reading an entire manuscript only to end up rejecting it.
Bear in mind that publishers are sellers. They are only interested in books that sell. They don't want to spend lots of time reading just to decide if your book would sell because there are lots of other authors out there who could do better than you. So, you have to convince them that your book is going to sell and that your book is better than most. You can do that by writing a good book proposal.
A book proposal would contain the description of your book and its selling points. It is your tool to get your book published. Write a good proposal that says your book is a must-have and a must-read, leaving no doubts in the mind of your prospective publisher to publish your book. And you do this even before you completely write the entirety of your manuscript. This would save you time if the publisher likes your book idea but has some revisions in mind. A publisher and editor would always want to be involved in the writing process; after all, they have experience and know what sells and what doesn't. So, as an author who wants to make it big, you should interact creatively with your publisher and/or editor for a better work collaboration.
So, what does a good book proposal look like? There is really no standard format of a book proposal. The same as having different writing styles, there can also be different proposal styles of different authors for different publishers. You must take note that for anything to sell, it has to be custom-made for the intended client. So, you also have to know your prospective publishers personality and style in order for you to adapt. But for the basic requirements, a good book proposal should contain at least the main ingredients:
1. The title and the summary or at least the premise of the book
2. The distinctive selling point of your book
3. The manuscript layout or plan
4. The target market or audience with explanation and descriptions
5. The authors background and writing experience
6. Synopsis of every chapter of the book; and finally,
7. One or two sample chapters of the book
You can rearrange these factors in any sequence you think appropriate, as long as it convinces your publisher to print your book.
Tuesday, July 8, 2008
Monday, July 7, 2008
Writing Fiction Versus Non-Fiction
Fiction and Non-fiction have often been compared throughout the years. With each genre having its own pros and cons, people often cannot help but debate on which type of writing style is really much more easier or practical for a writer to call his or her own. Let us examine the differences of these two styles then and find out how they truly differ and what similarities hold true to both.
How Does One Write About Fiction?
Writing about fiction basically tries to reach out to an audience that has a knack for seeking entertainment on anything that can feed their imagination and allow them to be brought to different places and periods. And thus, it is only proper for any fiction writer to have a very big imagination and to be very creative.
Some of the basic requirements that any fiction writer must have to write a good story is to include a good and interesting plot, strong and relatable characters and of course, a good handle on the pen that can give them an edge and great writing style. These elements must be well developed and a writer must make sure to concentrate on answering the whys behind the events conspiring in his stories.
Most readers of fiction stories usually want to escape their realities as well as challenge their brains, and so, mysteries, conflicts and a lot of suspense are integral to include in writing about fiction. These things keep a reader enticed and glued on to events that are happening within the plot.
What most writers love about creating fiction is that because it does not have strict boundaries, they have much more freedom and control on what they actually want to include in their work, without so many people condemning them on what is factual or not. And research does not have to be as extensive and the most that is really required of them is for them to let their imaginations run wild.
How Does One Write About Non-Fiction?
On the other hand, writing about non-fiction when it comes to preparation, may not be as easy as fiction writing. After all, non-fiction writers unlike their counterparts basically thrive off what is real instead of finding entertainment through the imagination.
Writers of non-fiction must concentrate more on things that we can see and touch. Actual experience plays a major role on the substantiality of the story and readers would understandably look for vivid descriptions about events and historical references for them to remain interested.
And so, unlike in writing fiction that would only require one to have a very good imagination, this type of genre requires extensive research. And guessing to fill in the spaces within the story's events is rarely tolerated. In fact, many controversies have already sprung out about this issue time and again. Therefore one must include the exact historical information in his or her work.
Which Style Is Better To Adopt?
Because of the differences of the methods of writing in the two styles, and because they require different specialties and talents, many writers may often feel quite confusing on which writing style is better to adopt as their own.
With most writers who actually take on writing as a career, they may often claim that sticking with only just one form of writing may not be enough to actually help you earn a living. Most often than not, if you want to become known and successful as a writer, versatility on these two writing styles is essential as many different demands may come your way.
Although different, each of these styles has its pros and cons that may render them equal to each other. Although writing about non-fiction would no longer require one to do extensive research, not everyone is talented enough with a big and captivating imagination, and so non-fiction may still have its obstacles to present a writer during the creative process. On the other hand, doing extensive research for fiction can be quite draining, but at least one no longer has to worry about making up a storyline as it is already thought up beforehand by actual events.
These two writing styles may certainly be very different, and they have their own advantages and disadvantages to the writer. But being versatile in both styles can certainly do a lot of any writer and even establish his or her creativity.
Neither style is superior or inferior from the other. Both of these genres have proven through the test of time how each of them has captured the intelligence and interest of many. Thus, for any writer, can never go wrong with whichever style he or she may choose.
How Does One Write About Fiction?
Writing about fiction basically tries to reach out to an audience that has a knack for seeking entertainment on anything that can feed their imagination and allow them to be brought to different places and periods. And thus, it is only proper for any fiction writer to have a very big imagination and to be very creative.
Some of the basic requirements that any fiction writer must have to write a good story is to include a good and interesting plot, strong and relatable characters and of course, a good handle on the pen that can give them an edge and great writing style. These elements must be well developed and a writer must make sure to concentrate on answering the whys behind the events conspiring in his stories.
Most readers of fiction stories usually want to escape their realities as well as challenge their brains, and so, mysteries, conflicts and a lot of suspense are integral to include in writing about fiction. These things keep a reader enticed and glued on to events that are happening within the plot.
What most writers love about creating fiction is that because it does not have strict boundaries, they have much more freedom and control on what they actually want to include in their work, without so many people condemning them on what is factual or not. And research does not have to be as extensive and the most that is really required of them is for them to let their imaginations run wild.
How Does One Write About Non-Fiction?
On the other hand, writing about non-fiction when it comes to preparation, may not be as easy as fiction writing. After all, non-fiction writers unlike their counterparts basically thrive off what is real instead of finding entertainment through the imagination.
Writers of non-fiction must concentrate more on things that we can see and touch. Actual experience plays a major role on the substantiality of the story and readers would understandably look for vivid descriptions about events and historical references for them to remain interested.
And so, unlike in writing fiction that would only require one to have a very good imagination, this type of genre requires extensive research. And guessing to fill in the spaces within the story's events is rarely tolerated. In fact, many controversies have already sprung out about this issue time and again. Therefore one must include the exact historical information in his or her work.
Which Style Is Better To Adopt?
Because of the differences of the methods of writing in the two styles, and because they require different specialties and talents, many writers may often feel quite confusing on which writing style is better to adopt as their own.
With most writers who actually take on writing as a career, they may often claim that sticking with only just one form of writing may not be enough to actually help you earn a living. Most often than not, if you want to become known and successful as a writer, versatility on these two writing styles is essential as many different demands may come your way.
Although different, each of these styles has its pros and cons that may render them equal to each other. Although writing about non-fiction would no longer require one to do extensive research, not everyone is talented enough with a big and captivating imagination, and so non-fiction may still have its obstacles to present a writer during the creative process. On the other hand, doing extensive research for fiction can be quite draining, but at least one no longer has to worry about making up a storyline as it is already thought up beforehand by actual events.
These two writing styles may certainly be very different, and they have their own advantages and disadvantages to the writer. But being versatile in both styles can certainly do a lot of any writer and even establish his or her creativity.
Neither style is superior or inferior from the other. Both of these genres have proven through the test of time how each of them has captured the intelligence and interest of many. Thus, for any writer, can never go wrong with whichever style he or she may choose.
What Is A Query Letter?
A query letter is a formal letter sent by a writer to literary agents, editors and publishing houses. This is a way for writers to propose their prose ideas. And if you are a writer, aspiring to get your work published, then getting this right is vital for you to achieve your goal. After all, literary agents, and publishers would greatly base their first impression of you and your book upon this document.
Preferably, this letter should be contained in a single page and should follow specific guidelines. The ideal format includes single spacing and a twelve-point font size if you are using a computer. Your query letter would also consist of four sections in its single page format: the hook, synopsis, the biography and the closing.
The Hook
The first section or paragraph of your letter is the hook, which is basically your whole book compressed into a single sentence. Here, you will briefly introduce the most basic elements, like the character and the dilemma.
Take in mind that this sentence needs to give just the right quantity of information, but of course, not too much. More importantly, it should be able to catch the attention of the reader and intrigue him to learn more about your book. This part of your letter will determine whether or not your letter will be accepted or not.
The Synopsis
The second part in your letter or the synopsis is where you are given the chance to describe your manuscript in a whole paragraph instead of limiting yourself in just one sentence. Here, you can expand more on some things that have been mentioned in the previous section.
You must mention certain aspects of the book such as its genre, word count and even your understanding on who is the market for your project is. Take in mind that you must be able to show that there is a demand in the market for your book and convince your reader (whether it is a literary agent or a publisher) that there are people who will be interested in buying and reading your book.
Examining current books that are successfully selling and those that are not doing so well in the market can help you state in your query substantial evidence on how your work holds more potential. The usual markets for books are the Children's book genre, Fiction and Fantasy.
The Biography
The third section is the easiest among all sections, because all you have to do is basically talk about yourself. Remember that you do not only have to sell your book, but as a writer you must also sell yourself.
In this part, mention any awards, achievements, as well as experiences in writing and publishing that you have had. It is also important to mention if whether or not you have had any works published before and what they are.
Do not hold back on your credentials and if you have an impressive record in writing then make sure you show your editor or agent that you have all the skills and experience in the world. Just make sure that you are able to fit everything in one paragraph.
If this is your first book however, and if you do not have a lot of fancy awards or accomplishments to talk about, you do not have to worry. This just means that you are left with more space to talk about your book at a deeper level.
The Closing
The fourth and final paragraph is the closing paragraph. This is the portion in your letter wherein you would be asking the agent or the editor for permission to send your manuscript. At the same time, you would also be giving out your thanks for the time that they took to review your query. Also do not forget to mention that you are looking forward to hearing from them.
Aside from these things, it is also important that you remember to place your contact details your name, e-mail address, telephone or cell phone numbers- at the end of the paragraph.
This is a very basic and universally accepted format in writing your query. If this were your first time to write such a letter, it would be safest to follow this form of arrangement. After all, most agents, editors and publishers do not prefer query letters that have new and fancy formats that differ from the usual types that they receive.
Remember that this letter can make or break your writing career, and it is all really about making the right impression. Keep this document simple yet impressive in such a way that you stimulate your readers interest to want more of what you can offer. And most especially, just be yourself in the best possible way you can. By following all of these things, surely you wouldn't have many problems in selling.
Preferably, this letter should be contained in a single page and should follow specific guidelines. The ideal format includes single spacing and a twelve-point font size if you are using a computer. Your query letter would also consist of four sections in its single page format: the hook, synopsis, the biography and the closing.
The Hook
The first section or paragraph of your letter is the hook, which is basically your whole book compressed into a single sentence. Here, you will briefly introduce the most basic elements, like the character and the dilemma.
Take in mind that this sentence needs to give just the right quantity of information, but of course, not too much. More importantly, it should be able to catch the attention of the reader and intrigue him to learn more about your book. This part of your letter will determine whether or not your letter will be accepted or not.
The Synopsis
The second part in your letter or the synopsis is where you are given the chance to describe your manuscript in a whole paragraph instead of limiting yourself in just one sentence. Here, you can expand more on some things that have been mentioned in the previous section.
You must mention certain aspects of the book such as its genre, word count and even your understanding on who is the market for your project is. Take in mind that you must be able to show that there is a demand in the market for your book and convince your reader (whether it is a literary agent or a publisher) that there are people who will be interested in buying and reading your book.
Examining current books that are successfully selling and those that are not doing so well in the market can help you state in your query substantial evidence on how your work holds more potential. The usual markets for books are the Children's book genre, Fiction and Fantasy.
The Biography
The third section is the easiest among all sections, because all you have to do is basically talk about yourself. Remember that you do not only have to sell your book, but as a writer you must also sell yourself.
In this part, mention any awards, achievements, as well as experiences in writing and publishing that you have had. It is also important to mention if whether or not you have had any works published before and what they are.
Do not hold back on your credentials and if you have an impressive record in writing then make sure you show your editor or agent that you have all the skills and experience in the world. Just make sure that you are able to fit everything in one paragraph.
If this is your first book however, and if you do not have a lot of fancy awards or accomplishments to talk about, you do not have to worry. This just means that you are left with more space to talk about your book at a deeper level.
The Closing
The fourth and final paragraph is the closing paragraph. This is the portion in your letter wherein you would be asking the agent or the editor for permission to send your manuscript. At the same time, you would also be giving out your thanks for the time that they took to review your query. Also do not forget to mention that you are looking forward to hearing from them.
Aside from these things, it is also important that you remember to place your contact details your name, e-mail address, telephone or cell phone numbers- at the end of the paragraph.
This is a very basic and universally accepted format in writing your query. If this were your first time to write such a letter, it would be safest to follow this form of arrangement. After all, most agents, editors and publishers do not prefer query letters that have new and fancy formats that differ from the usual types that they receive.
Remember that this letter can make or break your writing career, and it is all really about making the right impression. Keep this document simple yet impressive in such a way that you stimulate your readers interest to want more of what you can offer. And most especially, just be yourself in the best possible way you can. By following all of these things, surely you wouldn't have many problems in selling.
What Is Included In a Literary Agency Agreement?
For most writers yearning to get their work published, getting a literary agent to represent you is the first step that could determine whether you can make it or break it. After all, agents over the years have become pathfinders to getting books published.
But before signing on to an agreement, you may wonder what things you should consider. After all, there are many firms out there that may not be legitimate. Thus, it would be wise that you evaluate the terms and contents stated in the condition the agency offers you.
Duration
The term or duration of your agency agreement is a critical factor for you to be able to make decisions regarding your career moves. The range of terms may vary from thirty days to the whole duration of your works copyright.
Most authors would not want to be bound to an idle agent for a long time, but agents on the other hand, would not sign up with clients whom they know would not be around for a while. And so, the best arrangement is one that includes a 30-day termination provision that can be used at will by any party. This serves as a trial period to try and see whether your professional author-agent relationship can work.
However, if you have already signed up with a long-term deal, make sure you retain the right to terminate your agreement if your agent has not helped you sell your book within a certain period of time.
Scope
Typically, most agreements give the agent rights to represent your work internationally, in all types of media, as well as in all formats. And all existing works that you have made during the term of your contract or whatever conditions have been agreed upon will be covered.
Take in mind that this type of agreement may not always work out for you, and so, it is best to consider negotiating that your agent should limit his or her control to specific projects, especially when you are just starting out. If things go smoothly with your agent, you can always adjust and broaden his or her scope of control later.
Also take note that you may want to use a different agent when it comes to dealing with subsidiaries like film, audio, and foreign deals. This may be applicable if you feel that your agent is not much of an expert in a specific market.
Commission
Usually, this part of the agreement is non-negotiable. Most agents charge a fifteen percent (15%) commission from your royalties. Aside from this, an additional five to ten percent (5-10%) for international distribution can be further expected of you, as your agent may need to compensate his sub-agents in foreign countries. Thus, you should expect to pay as much as a twenty-five percent (25%) fee for a foreign sale.
However, there may be an exception if you have found a foreign publisher yourself and you simply want your agent to negotiate the deal for you. In this case, some agents may be willing to lower their usual commission.
Disbursements
Since agency contracts usually require that the agent will receive royalties and advances from the publisher, make sure that your contract includes an agreement that all funds received on your behalf should be deposited in a separate and private account instead of your agents general account. Also make sure that your contract provides that you will receive your regular payment within no more than 10 business days.
Expenses And Accounting
It would be wise that you negotiate with your agent that as much as possible, expenses charged to you should only be those that are excessive and unusual. Of course, such expenses should not exceed a specific amount without your permission and should not be taken directly from your pocket, but should be deducted from future royalties instead. If your agency agreement would absorb most client expenses as a part of their commission, then this would be a better deal.
In addition to this, make sure that your agent is willing to regularly provide you with an accounting report along with other required IRS documents at least once a year. Through this, you would be able to determine that cash flow from your royalties is going to all the right places and your agency is not scamming you.
Powers And Assignment
Beware of agreements that give your agent different powers that originally only you should have. Such powers may include, being able to sign checks and contracts on your behalf. Your contract should also not be transferred to a different firm or even to a different agent without your permission.
If too much power is given to your agency, then you should negotiate to decrease them, especially if you have not yet garnered an element of trust with your agent when you are starting out.
Bankruptcy, Disability, And Death
Check if your contract includes the clause that all your royalties may be transferred directly to you, in the event of bankruptcy, disability and death to your agent. In this way, your royalties would not have to be tied up in court due to the events that your agency may experience.
Remember that a literary agent is supposed to help you to have a voice that will be heard by your publishers and not to be your actual. Make sure that you review your agency contract properly to find out that you have the right representation behind you that would support your best interests.
There are many firms out there these days that may scam you with your creative abilities. These people may make themselves rich in your expense, and the only way they could do this, is if you allow them to do so. Be smart in signing any contracts and stay true to upholding the value of your intellectual property.
But before signing on to an agreement, you may wonder what things you should consider. After all, there are many firms out there that may not be legitimate. Thus, it would be wise that you evaluate the terms and contents stated in the condition the agency offers you.
Duration
The term or duration of your agency agreement is a critical factor for you to be able to make decisions regarding your career moves. The range of terms may vary from thirty days to the whole duration of your works copyright.
Most authors would not want to be bound to an idle agent for a long time, but agents on the other hand, would not sign up with clients whom they know would not be around for a while. And so, the best arrangement is one that includes a 30-day termination provision that can be used at will by any party. This serves as a trial period to try and see whether your professional author-agent relationship can work.
However, if you have already signed up with a long-term deal, make sure you retain the right to terminate your agreement if your agent has not helped you sell your book within a certain period of time.
Scope
Typically, most agreements give the agent rights to represent your work internationally, in all types of media, as well as in all formats. And all existing works that you have made during the term of your contract or whatever conditions have been agreed upon will be covered.
Take in mind that this type of agreement may not always work out for you, and so, it is best to consider negotiating that your agent should limit his or her control to specific projects, especially when you are just starting out. If things go smoothly with your agent, you can always adjust and broaden his or her scope of control later.
Also take note that you may want to use a different agent when it comes to dealing with subsidiaries like film, audio, and foreign deals. This may be applicable if you feel that your agent is not much of an expert in a specific market.
Commission
Usually, this part of the agreement is non-negotiable. Most agents charge a fifteen percent (15%) commission from your royalties. Aside from this, an additional five to ten percent (5-10%) for international distribution can be further expected of you, as your agent may need to compensate his sub-agents in foreign countries. Thus, you should expect to pay as much as a twenty-five percent (25%) fee for a foreign sale.
However, there may be an exception if you have found a foreign publisher yourself and you simply want your agent to negotiate the deal for you. In this case, some agents may be willing to lower their usual commission.
Disbursements
Since agency contracts usually require that the agent will receive royalties and advances from the publisher, make sure that your contract includes an agreement that all funds received on your behalf should be deposited in a separate and private account instead of your agents general account. Also make sure that your contract provides that you will receive your regular payment within no more than 10 business days.
Expenses And Accounting
It would be wise that you negotiate with your agent that as much as possible, expenses charged to you should only be those that are excessive and unusual. Of course, such expenses should not exceed a specific amount without your permission and should not be taken directly from your pocket, but should be deducted from future royalties instead. If your agency agreement would absorb most client expenses as a part of their commission, then this would be a better deal.
In addition to this, make sure that your agent is willing to regularly provide you with an accounting report along with other required IRS documents at least once a year. Through this, you would be able to determine that cash flow from your royalties is going to all the right places and your agency is not scamming you.
Powers And Assignment
Beware of agreements that give your agent different powers that originally only you should have. Such powers may include, being able to sign checks and contracts on your behalf. Your contract should also not be transferred to a different firm or even to a different agent without your permission.
If too much power is given to your agency, then you should negotiate to decrease them, especially if you have not yet garnered an element of trust with your agent when you are starting out.
Bankruptcy, Disability, And Death
Check if your contract includes the clause that all your royalties may be transferred directly to you, in the event of bankruptcy, disability and death to your agent. In this way, your royalties would not have to be tied up in court due to the events that your agency may experience.
Remember that a literary agent is supposed to help you to have a voice that will be heard by your publishers and not to be your actual. Make sure that you review your agency contract properly to find out that you have the right representation behind you that would support your best interests.
There are many firms out there these days that may scam you with your creative abilities. These people may make themselves rich in your expense, and the only way they could do this, is if you allow them to do so. Be smart in signing any contracts and stay true to upholding the value of your intellectual property.
Tools Of The Trade - Some Must Have Tools For Writing
Each writer has his own specific tools of the trade that contribute to his personal writing process. In keeping up with some of these must have tools for writing, you will be surprised how they do not only help you in the actual writing phase itself, but in gathering inspiration and organizing your thoughts as well. Basically, these things make writing a whole lot easier. Here are three of the most basic tools that every writer must have.
A Handy Notebook
A pocket journal or small notebook that you can carry around anywhere you go will surely come in handy, especially during the brainstorming phase when you write. This helps you keep track of things that you may want to include in your work and allows you to formulate your creative ideas before actually delving into writing the first draft of your work.
Without this notebook, a chance encounter with something that can trigger creativity, like overhearing an interesting conversation or having someone you know say something very inspiring, will all go to waste if you cannot immortalize such things on paper.
Although a lot of computers these days are also pretty handy, writing ideas down on a journal for many people will still stimulate the creativity more. After all, unlike a computer, beside each note or entry that you make you can always freely jot down side comments or scribble some sketches that may perhaps enhance your ideas more.
A notebook will give you insurance that you won't forget such things that may give you insights about your issues of interest. After all, you never know when you might find inspiration for your stories, and having somewhere you can jot down ideas on hand will surely be convenient.
Favorite Pen
Because it is understandable that you are bound to do a lot of writing to accomplish a book, you might as well invest on a good pen that can make the process more enjoyable. Even when you would be using a computer for the actual writing, there would still be a lot of literal writing activity needed especially during the brainstorming process or when you are still just organizing your thoughts.
The best pen for you will ultimately still depend on your choice. Find a pen that you find comfortable and is durable. Take in mind such factors as its overall feel in your hand, how smooth it writes and how it reads on the type of paper that you most often use.
You might be surprised how much a pen can actually affect the flow of inspiration coming in as you write, and even whether or not you will find the whole process enjoyable.
A Computer With Internet Connection
Everything today has become so dependent on technology. And even though you do a lot of your brainstorming through old school tools like notebooks and pens, most of the time, going hi-tech can take you miles with writing.
You will find that saving and organizing files will become easier with the use of a computer. At the same time, an easy Internet access can come in handy in case you need to make some instant searches for some needed information especially when substantiating your work.
Communicating with other writers or exchanging data will also become easier through the Internet. After all, at some point in your writing process, you may want to ask for advice from other writers or may want to have your work proof read. In this way, you are not only able to receive information quicker, but send it much faster as well.
It also helps that for writers, a lot of available computer programs that serve as tools in writing, such as an electronic dictionary or spell-checking programs. Instead of having to go through huge books to get the assistance that you need, all it will take you now is just a click and so much time and effort can be saved. In short, a handy computer can be your all-in-one tool of the trade.
Among many things that a lot of writers may want to have beside them during the process of writing, the three items mentioned above are the modern generations best tools of trade to make the process a whole lot easier. These things do not only assist you in making work less stressful, but they also help you become more organized and even more creative.
A Handy Notebook
A pocket journal or small notebook that you can carry around anywhere you go will surely come in handy, especially during the brainstorming phase when you write. This helps you keep track of things that you may want to include in your work and allows you to formulate your creative ideas before actually delving into writing the first draft of your work.
Without this notebook, a chance encounter with something that can trigger creativity, like overhearing an interesting conversation or having someone you know say something very inspiring, will all go to waste if you cannot immortalize such things on paper.
Although a lot of computers these days are also pretty handy, writing ideas down on a journal for many people will still stimulate the creativity more. After all, unlike a computer, beside each note or entry that you make you can always freely jot down side comments or scribble some sketches that may perhaps enhance your ideas more.
A notebook will give you insurance that you won't forget such things that may give you insights about your issues of interest. After all, you never know when you might find inspiration for your stories, and having somewhere you can jot down ideas on hand will surely be convenient.
Favorite Pen
Because it is understandable that you are bound to do a lot of writing to accomplish a book, you might as well invest on a good pen that can make the process more enjoyable. Even when you would be using a computer for the actual writing, there would still be a lot of literal writing activity needed especially during the brainstorming process or when you are still just organizing your thoughts.
The best pen for you will ultimately still depend on your choice. Find a pen that you find comfortable and is durable. Take in mind such factors as its overall feel in your hand, how smooth it writes and how it reads on the type of paper that you most often use.
You might be surprised how much a pen can actually affect the flow of inspiration coming in as you write, and even whether or not you will find the whole process enjoyable.
A Computer With Internet Connection
Everything today has become so dependent on technology. And even though you do a lot of your brainstorming through old school tools like notebooks and pens, most of the time, going hi-tech can take you miles with writing.
You will find that saving and organizing files will become easier with the use of a computer. At the same time, an easy Internet access can come in handy in case you need to make some instant searches for some needed information especially when substantiating your work.
Communicating with other writers or exchanging data will also become easier through the Internet. After all, at some point in your writing process, you may want to ask for advice from other writers or may want to have your work proof read. In this way, you are not only able to receive information quicker, but send it much faster as well.
It also helps that for writers, a lot of available computer programs that serve as tools in writing, such as an electronic dictionary or spell-checking programs. Instead of having to go through huge books to get the assistance that you need, all it will take you now is just a click and so much time and effort can be saved. In short, a handy computer can be your all-in-one tool of the trade.
Among many things that a lot of writers may want to have beside them during the process of writing, the three items mentioned above are the modern generations best tools of trade to make the process a whole lot easier. These things do not only assist you in making work less stressful, but they also help you become more organized and even more creative.
What Are The Basic Rules Of Writing?
Certain Rules Apply To Every Written Word. What Are They And How To Incorporate Them Into The Book
There are a lot of rules in writing and in creating a book. Some rules may apply to every written word, while others may be applicable to the general composition. Either way, these rules are important to incorporate into your writing in order to capture an audience and to give the right message that you want to get across to your readers. Here are a few examples of these basic rules of writing that can certainly help you out in your work.
Use An Active Voice
When writing, always make use of an active voice whenever possible. In this way, you are connoting that the subject is performing the verb. This is much more preferable for most instances as compared to a passive voice because using a passive tone would make readers think backwards and could even leave them wondering who exactly is the doer of the action.
By using an active voice for most parts of your book, you would also be able to avoid dragging the story, which could of course only bore your readers. For example, instead of saying the ball was kicked by Roy it would be better to say, Roy hit the ball.
Use Concrete Instead of Vague Language
Always use specific and concrete words rather than vague and general words. Instead of saying apparent considerable monetary gains, you can much easily say a lot of money Not only are you saving yourself a lot of effort by writing this way, but you are also making it easier for your readers to understand your point immediately. Using vague descriptions and beating around the bush can lose the interest of your readers.
Always Properly Cite Your Sources
When taking something from the work of others, always remember to properly cite them in your book. Also try to paraphrase more instead of directly quoting from your original sources. These not only make you ethical by not plagiarizing, but they may also allow your readers to see that you have done your proper research, thus making you sound a lot more convincing.
Remember Your Subject-Verb Agreement
Always remember to make your subject and verb agree with each other, and not with a word that comes in between them. If your subject is singular, then make sure that the verb you use in your sentence is also singular. For example, it is correct to say, Janice like her brothers has been going to school there, instead of Janice like her brothers have been gong to school there.
Omit Unnecessary Words
In the example sentence, I would like to exclaim that I truly consider her as quite an incomprehensible idiot we can see that there are a lot of unnecessary words that do not only tire the reader but also make the sentence more difficult to comprehend. By saying, I think that she is an idiot, you can make your readers understand what you are trying to say better instead of making things complicated for them.
Properly Arrange Where You Place Pronouns or Appositives
Make sure that a pronoun or an appositive is arranged properly in your sentences and that they refer clearly to the right subject. For example, instead of saying, Its mouth filled with dog food, Lorena picked the puppy from the basket, it would be more appropriate to say, Lorena picked the puppy, its mouth filled with dog food, from the basket. In this way, your readers would not get confused on who your subject is with the descriptions you have provided.
All of these rules stated above are just some of the most basic things. But despite this, many people still forget these rules when it comes to writing. Remember that since you are striving to write a book, then you must appeal to a group of readers and getting your message across clearly is very vital and so, you must always stick with what is right.
These rules are simple. Some of them apply to specific individual words, while some of them may apply to your sentence construction, but nonetheless, they are quite easy to integrate into the flow of your book. These not only pave way to making it easier for you to get your message across and have your readers understand better, but these can also help in captivating interest. Thus, if you plan to pursue the creation of your book, make sure to never forget these basic rules in writing.
There are a lot of rules in writing and in creating a book. Some rules may apply to every written word, while others may be applicable to the general composition. Either way, these rules are important to incorporate into your writing in order to capture an audience and to give the right message that you want to get across to your readers. Here are a few examples of these basic rules of writing that can certainly help you out in your work.
Use An Active Voice
When writing, always make use of an active voice whenever possible. In this way, you are connoting that the subject is performing the verb. This is much more preferable for most instances as compared to a passive voice because using a passive tone would make readers think backwards and could even leave them wondering who exactly is the doer of the action.
By using an active voice for most parts of your book, you would also be able to avoid dragging the story, which could of course only bore your readers. For example, instead of saying the ball was kicked by Roy it would be better to say, Roy hit the ball.
Use Concrete Instead of Vague Language
Always use specific and concrete words rather than vague and general words. Instead of saying apparent considerable monetary gains, you can much easily say a lot of money Not only are you saving yourself a lot of effort by writing this way, but you are also making it easier for your readers to understand your point immediately. Using vague descriptions and beating around the bush can lose the interest of your readers.
Always Properly Cite Your Sources
When taking something from the work of others, always remember to properly cite them in your book. Also try to paraphrase more instead of directly quoting from your original sources. These not only make you ethical by not plagiarizing, but they may also allow your readers to see that you have done your proper research, thus making you sound a lot more convincing.
Remember Your Subject-Verb Agreement
Always remember to make your subject and verb agree with each other, and not with a word that comes in between them. If your subject is singular, then make sure that the verb you use in your sentence is also singular. For example, it is correct to say, Janice like her brothers has been going to school there, instead of Janice like her brothers have been gong to school there.
Omit Unnecessary Words
In the example sentence, I would like to exclaim that I truly consider her as quite an incomprehensible idiot we can see that there are a lot of unnecessary words that do not only tire the reader but also make the sentence more difficult to comprehend. By saying, I think that she is an idiot, you can make your readers understand what you are trying to say better instead of making things complicated for them.
Properly Arrange Where You Place Pronouns or Appositives
Make sure that a pronoun or an appositive is arranged properly in your sentences and that they refer clearly to the right subject. For example, instead of saying, Its mouth filled with dog food, Lorena picked the puppy from the basket, it would be more appropriate to say, Lorena picked the puppy, its mouth filled with dog food, from the basket. In this way, your readers would not get confused on who your subject is with the descriptions you have provided.
All of these rules stated above are just some of the most basic things. But despite this, many people still forget these rules when it comes to writing. Remember that since you are striving to write a book, then you must appeal to a group of readers and getting your message across clearly is very vital and so, you must always stick with what is right.
These rules are simple. Some of them apply to specific individual words, while some of them may apply to your sentence construction, but nonetheless, they are quite easy to integrate into the flow of your book. These not only pave way to making it easier for you to get your message across and have your readers understand better, but these can also help in captivating interest. Thus, if you plan to pursue the creation of your book, make sure to never forget these basic rules in writing.
Explaining The Plot, Story And Characters
In writing a memoir or non-fiction, many writers often commit common mistakes when it comes to building their stories. Especially when it comes to plot development and character growth, it is not rare for many to miss out on hitting that right balance between very important plot elements and the qualities of characters.
The characters emotional development, the dramatic action as well as the thematic significance are the three fundamentals that need to be given the right balance for any story to become interesting. If one of these is given more emphasis over the other, chances are, your story might become overdeveloped or the plot may become a bit boring.
The Beginning
The beginning of the story is the time wherein you should establish elements like the setting, the mystery, and the love interest if there is one.
This is basically where you must first introduce your character and give a preview on his or her emotional development throughout the story. During this time, the protagonists loves and hates, dreams and aspirations, as well as strengths and weaknesses must all be introduced. Through this, your readers can get to know who the protagonist is and take on with the changes that would take place in later chapters.
The dramatic question is another very important element that must be established in these earlier chapters. As a writer, you must create a central desire to entice readers to look for answers as they go through the story. The end of course will determine the answers for this dramatic question and whether or not the desire will be resolved.
The Middle
In the middle part, the plot must develop a deeper involvement and a much more emotional development from its characters. This is the time wherein the protagonist must face adversity, brought about by an antagonist, in order to reveal what type of character he or she has.
There may be different types of antagonists that you as a writer can explore. These may include other people, nature, society, a certain belief system and even the protagonists own self. An antagonist will be responsible to create conflict in the story and your story's hero will have to react to try and resolve the tension.
During this part of the story, it is important for your readers to feel the suspense and drama. While conflict places your main character under pressure, this paves way for your plot to introduce morals and thematic significance from your story. Through your main characters way of acting towards tension, he or she will set an example on how each action will have an equal reaction.
The End
The last part of the story will be your chance to resolve all conflicts and to show to your readers the consequences of everything that has conspired within your plot. A clear change and emotional development must be evident on each of your characters, especially on your protagonist. After all, this is where you show how your character has been transformed by the adversities that he or she has faced in the middle chapters.
During this part, the dramatic question, above all, must be answered. The central desire that you have introduced in the beginning of your story must be fulfilled by giving a resolution to all the events and mysteries that has come up within the flow of the story. And through answers, a clear thematic significance must be evident to teach readers certain morals.
It is up to you whether you want to leave your readers hanging so they could theoretically create their own ending, or paint a perfect resolution for them. But whatever style you choose, it is important that your readers will have a sense of fulfillment in the end, and of course they must be able to learn something from your chosen theme.
The basic key to explaining your plot, story and characters for your book to become relatable to your readers, is to never forget to strike that balance between the elements. Make sure that you balance the growth of your characters as well as the action going on in your plot. And make sure that such dramatic action must be able to transform your characters depth as your story progresses.
Make sure to keep your story flow organized and don't forget to place much emphasis on the three major elements the characters emotional development, the dramatic action, and the thematic significance. By doing so and keeping your plot progressive and growing, you will be sure to keep your readers interest on your masterpiece.
The characters emotional development, the dramatic action as well as the thematic significance are the three fundamentals that need to be given the right balance for any story to become interesting. If one of these is given more emphasis over the other, chances are, your story might become overdeveloped or the plot may become a bit boring.
The Beginning
The beginning of the story is the time wherein you should establish elements like the setting, the mystery, and the love interest if there is one.
This is basically where you must first introduce your character and give a preview on his or her emotional development throughout the story. During this time, the protagonists loves and hates, dreams and aspirations, as well as strengths and weaknesses must all be introduced. Through this, your readers can get to know who the protagonist is and take on with the changes that would take place in later chapters.
The dramatic question is another very important element that must be established in these earlier chapters. As a writer, you must create a central desire to entice readers to look for answers as they go through the story. The end of course will determine the answers for this dramatic question and whether or not the desire will be resolved.
The Middle
In the middle part, the plot must develop a deeper involvement and a much more emotional development from its characters. This is the time wherein the protagonist must face adversity, brought about by an antagonist, in order to reveal what type of character he or she has.
There may be different types of antagonists that you as a writer can explore. These may include other people, nature, society, a certain belief system and even the protagonists own self. An antagonist will be responsible to create conflict in the story and your story's hero will have to react to try and resolve the tension.
During this part of the story, it is important for your readers to feel the suspense and drama. While conflict places your main character under pressure, this paves way for your plot to introduce morals and thematic significance from your story. Through your main characters way of acting towards tension, he or she will set an example on how each action will have an equal reaction.
The End
The last part of the story will be your chance to resolve all conflicts and to show to your readers the consequences of everything that has conspired within your plot. A clear change and emotional development must be evident on each of your characters, especially on your protagonist. After all, this is where you show how your character has been transformed by the adversities that he or she has faced in the middle chapters.
During this part, the dramatic question, above all, must be answered. The central desire that you have introduced in the beginning of your story must be fulfilled by giving a resolution to all the events and mysteries that has come up within the flow of the story. And through answers, a clear thematic significance must be evident to teach readers certain morals.
It is up to you whether you want to leave your readers hanging so they could theoretically create their own ending, or paint a perfect resolution for them. But whatever style you choose, it is important that your readers will have a sense of fulfillment in the end, and of course they must be able to learn something from your chosen theme.
The basic key to explaining your plot, story and characters for your book to become relatable to your readers, is to never forget to strike that balance between the elements. Make sure that you balance the growth of your characters as well as the action going on in your plot. And make sure that such dramatic action must be able to transform your characters depth as your story progresses.
Make sure to keep your story flow organized and don't forget to place much emphasis on the three major elements the characters emotional development, the dramatic action, and the thematic significance. By doing so and keeping your plot progressive and growing, you will be sure to keep your readers interest on your masterpiece.
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